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- Direction: Raja Sen
- Cinematography: Rana Dasgupta
- Costumes: Ruma Dasgupta
- Editing: Arghya Kamal Mitra
- Art direction: Tamnoy Chakraborty
- Music: Partho Sengupta and Rabindranath Tagore:
- Cast: Ranjit Mullick, Sabyasachi Chakraborty, Raveena Tandon, Arpita Chatterjee, Shaheb Chatterjee, Biswajeet Ghosh, Lama, Papiya Sen.
- Date of release: 26/11/2010
- Rating: 05/10
LABORATORY – TAGORE SANS THE POWER
Laboratory was authored by Tagore in the last days of his literary life as a writer of short stories. His treatment of the characters in Laboratory does not match the rest of his work. It is a strikingly radical story about the determination of Sohini (Raveena Tandon) a young Punjabi Jat woman to attain her goals in any which way. For her, the goal is more important than the means to attain it. Her moralistic views are different from those of normal women. She gets married to Nanda Kishore (Sabyasachi Chakraborty) a Bengali scientist and settles down in Bengal. When her husband dies suddenly, she determines to fulfill his dream of completing the laboratory he had begun to work on for helping budding Indian scientists to be able to work in India. She constantly clashes with her young and beautiful daughter Neela (Arpita Chatterjee) a flighty young girl who does not shy away from hiding her flirtations which her mother does not like. The mother is scared to see the reflection of her youth in her daughter. Whether Sohini succeeds I finding find a young scientist to take care of the laboratory and whether she is finally able to bond with her daughter makes Laboratory a twists-and-turns story of two very radical and courageous woman, so similar and yet so different.
Nanda Kishore, despite his scientific bent of mind believes in the true equality of the sexes. He is attracted to the much younger Sohini for her manner of ‘frank-speak-and-think-different’ attitude than by her beauty. Sabyasachi gives a very convincing and interesting performance as a Nanda Kishore. Manmatha Choudhury (Ranjit Mullick), a ‘family friend’ and science professor is absolutely besotted by the sensual charms of an ageing Sohini. He too, spouts forth on the merits of matriarchal society in the days of yore. It is a performance by veteran Ranjit Mullick distanced from the stereotype of the social do-gooder is plays in film after film. He is very convincing as the charmed and ageing bachelor. Shaheb Chatterjee as the young scientist chosen by Sohini to look after the laboratory is sincere to begin with, but soon surrenders to the brazenly seductive ways of Neela. He is a naïve young man suppressed in his ambitions by his widowed aunt. He does not suspect the ulterior motives of Neela once. Shaheb Chatterjee is sparkling in a role that is filled with the naïve innocence of discovering the importance of romance and sex, the painful frustrations of being suffocated by the love of his aunt, the sudden opening of a window to his dreams only to collapse around him. Arpita as Neela looks beautiful but is given a sharp and brittle look perhaps to enhance the negativity of the character and also to make the very strong and no-nonsense Sohini look softer and gentler. She is designed to be obviously manipulative who thinks nothing of speaking ill about her mother to the gold-digging young men around her. Arpita lives the ‘period’ her character belongs to as much as she can and therefore, is very credible in a highly stylized performance. That is how educated young women of elitist and affluent Bengali families in the 1940s behaved and lived and talked. The characterization reminds one of Kanan Devi in New Theatres’ Mukti. Papiya Sen in a brief role as Rebati’s Pishima is strong and honest.
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